Srk N His Life

Shahrukh Khan From Wikipedia, the free encyclopedia Jump to: navigation, search â€Å"Shahrukh† redirects here. For the Timurid dynasty ruler, see Shah Rukh (Timurid dynasty). This article is semi-protected to prevent libelous additions. Shahrukh Khan Born 2 November 1965 (1965-11-02) (age 44) New Delhi, India Other name(s) Shah Rukh Khan, King Khan, SRK, King of Bollywood[1] Occupation Actor, producer, television presenter Years active 1988–present Spouse(s) Gauri Khan (1991–present) Shahrukh Khan (Hindi: , Urdu: ; born 2 November 1965), sometimes credited as Shah Rukh Khan, is an Indian actor and a prominent Bollywood figure, as well as a film producer and television host. Khan began his career appearing in several television serials in the late 1980s. He made his film debut in Deewana (1992). Since then, he has been part of numerous commercially successful films and has earned critical acclaim for many of his performances. Khan has won thirteen Filmfare A wards for his work in Indian films, seven of which are in the Best Actor category. Khan's films such as Dilwale Dulhaniya Le Jayenge (1995), Kuch Kuch Hota Hai (1998), Chak De India (2007), Om Shanti Om (2007) and Rab Ne Bana Di Jodi (2008) remain some of Bollywood's biggest hits, while films like Kabhi Khushi Kabhie Gham (2001), Kal Ho Naa Ho (2003), Veer-Zaara (2004) and Kabhi Alvida Naa Kehna (2006) have been top-grossing Indian productions in the overseas markets, making him one of the most successful actors of India. [2] Since 2000, Khan branched out into film production and television presenting as well. He is the founder/owner of two production companies, Dreamz Unlimited and Red Chillies Entertainment. In 2008, Newsweek named him one of the 50 most powerful people in the world. [3] Contents [hide] * 1 Biography * 2 Film career o 2. 1 Background o 2. 2 1990s o 2. 3 2000s * 3 Producer * 4 Television host * 5 Awards and nominations * 6 Filmography o 6. 1 Actor o 6. 2 Producer o 6. 3 Playback singer o 6. 4 Stunts director o 6. 5 Television appearances * 7 See also * 8 Bibliography * 9 Notes * 10 External links Biography Shahrukh Khan and family Khan was born in 1965 to Muslim parents of Pathan descent in New Delhi, India. [4] His father, Taj Mohammed Khan, was an Indian independence activist from Peshawar, British India. According to Khan, his paternal grandfather was originally from Afghanistan. [5] His mother, Lateef Fatima, was the adopted daughter of Major General Shah Nawaz Khan of the Janjua Rajput clan, who served as a General in the Indian National Army of Subash Chandra Bose. [6] Khan's father came to New Delhi from Qissa Khawani Bazaar in Peshawar before the partition of India,[7] while his mother's family came from Rawalpindi, British India. [8] Khan has an elder sister named Shehnaz. [9] Growing up in Rajendra Nagar neighbourhood,[10] Khan attended St. Columba's School where he was accomplished in sports, drama, and academics. He won the Sword of Honour, an annual award given to the student who best represents the spirit of the school. Khan later attended the Hansraj College (1985–1988) and earned his Bachelors degree in Economics (honors). Though he pursued a Masters Degree in Mass Communications at Jamia Millia Islamia, he later opted out to make his career in Bollywood. [11] After the death of his parents, Khan moved to Mumbai in 1991. [12] In that same year, before any of his films were released, he married Gauri Chibber, a Hindu, in a traditional Hindu wedding ceremony on 25 October 1991. 13] They have two children, son Aryan (b. 1997) and daughter Suhana (b. 2000). According to Khan, while he strongly believes in Allah, he also values his wife's religion. At home, his children follow both religions, with the Qur'an being situated next to the Hindu gods. [14] In 2005, Nasreen Munni Kabir produced a two-part documentary on Khan, titled The Inner and Outer World of Shah Rukh Khan. Featuring his 2 004 Temptations concert tour, the film contrasted Khan's inner world of family and daily life with the outer world of his work. The book Still Reading Khan, which details his family life, was released in 2006. Another book by Anupama Chopra, â€Å"King of Bollywood: Shahrukh Khan and the seductive world of Indian cinema†, was released in 2007. This book described the world of Bollywood through Khan's life. [15][16] Khan has been awarded several honours which includes the Padma Shri, India's fourth highest civilian award from the Government of India in 2005. In April 2007, a life-size wax statue of Khan was installed at the Madame Tussauds Wax Museum, London. Another statue was installed at the Musee Grevin in Paris, the same year. 17] During the same year, he was accorded the Ordre des Arts et des Lettres (Order of the Arts and Literature) award by the French government for his â€Å"exceptional career†. [18] In October 2008, Khan was conferred the Darjah Mulia Seri Melaka which carries the honorific Datuk (in similar fashion to â€Å"Sir† in British knighthood), by the Yang di-Pertua Neg eri Tun Mohd Khalil Yaakob, the head of state of Malacca in Malaysia. Khan was honoured for â€Å"promoting tourism in Malacca† by filming One Two Ka Four there in 2001. Some were critical of this decision. 19] He was also honoured with an honorary doctorate in arts and culture from Britain's University of Bedfordshire in 2009. [20] Film career Background Khan studied acting under celebrated Theatre Director Barry John at Delhi's Theatre Action Group (TAG). In 2007, John commented thus on his former pupil that, â€Å"The credit for the phenomenally successful development and management of Shahrukh's career goes to the superstar himself. â€Å"[21] Khan made his acting debut in 1988 when he appeared in the television series, Fauji, playing the role of Commando Abhimanyu Rai. 22] He went on to appear in several other television serials, most notably in the 1989 serial, Aziz Mirza's Circus, which depicted the life of circus performers. [23] The same year, Khan also had a minor role in the made-for-television English-language film, In Which Annie Gives it Those Ones, which was based on life at Delhi University and was written by Arundhati Roy. 1990s Upon moving from New Delhi to Mumbai in 1991,[24] Khan made his Bollywood movie debut in Deewana (1992). The movie became a box office hit, and launched his career in Bollywood. [25] His performance won him a Filmfare Best Male Debut Award. He went on to star in Maya Memsaab, which generated some controversy because of his appearance in an â€Å"explicit† sex scene in the movie. [26] In 1993, Khan won acclaim for his performances in villainous roles as an obsessive lover and a murderer, respectively, in the box office hits, Darr and Baazigar. [27] Darr marked his first collaboration with renowned film-maker Yash Chopra and his banner Yash Raj Films, the largest production company in Bollywood. Baazigar, which saw Khan portraying an ambiguous avenger who murders his girlfriend, shocked its Indian audience with an unexpected violation of the standard Bollywood formula. 28] His performance won him his first Filmfare Best Actor Award. In that same year, Khan played the role of a young musician in Kundan Shah's Kabhi Haan Kabhi Naa, a performance that earned him a Filmfare Critics Award for Best Performance. Khan maintains that this is his all-time favourite among the movies he has acted in. [29] In 1994, Khan once ag ain played an obsessive lover/psycho's role in Anjaam, co-starring alongside Madhuri Dixit. Though the movie was not a box office success, Khan's performance earned him the Filmfare Best Villain Award. [30] In 1995, Khan starred in Aditya Chopra's directorial debut Dilwale Dulhania Le Jayenge, a major critical and commercial success, for which he won his second Filmfare Best Actor Award. [31] In 2007, the film entered its twelfth year in Mumbai theaters. By then the movie had grossed over 12 billion rupees, making it as one of India's biggest movie blockbusters. [32] Earlier in the same year he found success in Rakesh Roshan's Karan Arjun which became the second biggest hit of the year. 1996 was a disappointing year for Khan as all his movies released that year failed to do well at the box office. 33] This was, however, followed by a comeback in 1997. He saw success with Subhash Ghai's social drama Pardes — one of the biggest hits of the year — and Aziz Mirza's comedy Yes Boss, a moderately successful feature. [34] His second project with Yash Chopra as a director, Dil to Pagal Hai became that year's second highest-grossing movie, and he won his third Filmfare Best Actor A ward for his role as a stage director who falls in love with one of his new actresses. [34] In 1998, Khan starred in Karan Johar's directorial debut, Kuch Kuch Hota Hai, which was the biggest hit of the year. 35] His performance won him his fourth Best Actor award at the Filmfare. He won critical praise for his performance in Mani Ratnam's Dil Se. The movie did not do well at the Indian box office, though it was a commercial success overseas. [36] Khan's only release in 1999, Baadshah, was an average grosser. [37] 2000s Khan's success continued with Aditya Chopra's 2000 film, Mohabbatein, co-starring Amitabh Bachchan. It did well at the box office, and Khan's performance as a college teacher won him his second Critics Award for Best Performance. He also starred in Mansoor Khan's action film Josh. The film starred Khan as the leader of a Christian gang in Goa and Aishwarya Rai as his twin sister, and was also a box office success. [38] In that same year, Khan set up his own production house, Dreamz Unlimited with Juhi Chawla (see below). Both Khan and Chawla starred in the first movie of their production house, Phir Bhi Dil Hai Hindustani. [38] His work with Karan Johar continued as he collaborated on the family drama Kabhi Khushi Kabhie Gham which was the second biggest hit of the year. He also received favorable reviews for his performance as Emperor Asoka in the historical epic, Asoka, a partly fictionalised account of the life of Ashoka the Great (304 BC–232 BC). [39] In 2002, Khan received acclaim for playing the title role in Sanjay Leela Bhansali's award-winning period romance, Devdas. It was the third Hindi movie adaptation of Sharat Chandra Chattopadhyay's well-known novel of the same name, and surfaced as one of the biggest hits of that year. [40] Khan also starred opposite Salman Khan and Madhuri Dixit in the family-drama Hum Tumhare Hain Sanam, which did well at the box office. 40] In 2003, Khan starred in the moderately successful romantic drama, Chalte Chalte. [41] That same year, he starred in the tearjerker, Kal Ho Naa Ho, written by Karan Johar and directed by Nikhil Advani. Khan's performance in this movie as a man with a fatal heart disease was appreciated. The movie proved to be one of the year's biggest hits in India and Bollywood's bigges t hit in the overseas markets. [41] 2004 was a particularly good year for Khan, both commercially and critically. He starred in Farah Khan's directorial debut, the comedy Main Hoon Na. The movie did well at the box office. He then played the role of an Indian officer, Veer Pratap Singh in Yash Chopra's love saga Veer-Zaara, which was the biggest hit of 2004 in both India and overseas. [42] The film relates the love story of Veer and Pakistani woman Zaara Haayat Khan, played by Preity Zinta. Khan's performance in the film won him awards at several award ceremonies. In that same year, he received critical acclaim for his performance in Ashutosh Gowariker's drama Swades. He was nominated for the Filmfare Best Actor Award for all three of his releases in 2004, winning it for Swades. [42] In 2006, Khan collaborated with Karan Johar for the fourth time with the melodrama movie Kabhi Alvida Na Kehna. It did well in India and much more so in the overseas market, becoming the biggest Bollywood hit in the overseas market of all-time. [43] His second release that year saw him playing the title role in the action film Don, a remake of the 1978 hit Don. The movie was a success. [43] Khan's success continued with a few more highly popular films. One of his most successful works was the multiple award-winning 2007 film, Chak De India, about the Indian women's national hockey team. Earning over Rs 639 million, Chak De India became the third highest grossing movie of 2007 in India and won yet another Filmfare Best Actor Award for Khan. [44] The film was a major critical success. [45] In the same year Khan also starred in Farah Khan's 2007 film, Om Shanti Om. The film emerged as the year's highest grossing film in India and the overseas market, and became India's highest grossing production ever up to that point. [44] It earned him another nomination for Best Actor at the Filmfare ceremony. Khan's more recent films include the 2008 release, Rab Ne Bana Di Jodi which was a huge box office success, and Billu. Khan's next film, My Name Is Khan, is due for release on 12 February 2010. While on one shoot in Los Angeles, along with his wife Gauri and director Karan Johar, he took a break from filming to attend the 66th Golden Globe Awards, held in Los Angeles, California, on 11 January 2009. [46][47] Khan introduced Slumdog Millionaire along with a star from the film, Freida Pinto. [48][49] Producer Khan turned producer when he set up a production company called Dreamz Unlimited with Juhi Chawla and director Aziz Mirza in 1999. The first two of the films he produced and starred in: Phir Bhi Dil Hai Hindustani (2000) and Asoka (2001) were box office failures. [39] However, his third film as a producer and star, Chalte Chalte (2003), proved a box office hit. [41] In 2004, Khan set up another production company, Red Chillies Entertainment, and produced and starred in Main Hoon Na, another hit. [42] The following year, he produced and starred in the fantasy film Paheli, which did poorly. [50] It was, however, India's official entry to the Academy Awards for consideration for Best Foreign Language Film, but it did not pass the final selection. Also in 2005, Khan co-produced the supernatural horror film Kaal with Karan Johar, and performed an item number for the film with Malaika Arora Khan. Kaal was moderately successful at the box office. [50] His company has gone on to produce Om Shanti Om (2007), in which he starred, and Billu (2009), in which he played a supporting role as a Bollywood superstar. Apart from film production, the company also has a visual effects studio known as Red Chillies VFX. It has also ventured into television content production, with shows like, The First Ladies, Ghar Ki Baat Hai', and Knights and Angels. Television advertisements are also produced by the company. [51] In 2008, Red Chillies Entertainment became the owner of the Kolkata Knight Riders in the BCCI-backed IPL cricket competition. Television host In 2007, Khan replaced Amitabh Bachchan as the host of the third series of the popular game show Kaun Banega Crorepati, the Indian version of Who Wants to Be a Millionaire?. [52] The previous had hosted the show for five years from 2000–05. On 22 January 2007, Kaun Banega Crorepati aired with Khan as the new host[53] and later ended on 19 April 2007. [54] On 25 April 2008, Khan began hosting the game show Kya Aap Paanchvi Pass Se Tez Hain? , the Indian version of Are You Smarter Than a 5th Grader? ,[55] whose last episode was telecasted on 27 July 2008, with Lalu Prasad Yadav as the special guest. [56] Awards and nominations Main article: List of Shahrukh Khan's awards and nominations Filmography Actor Year Title Role Notes 1992 Deewana Raja Sahai Winner, Filmfare Best Male Debut Award Idiot Pawan Raghujan Chamatkar Sunder Srivastava Raju Ban Gaya Gentleman Raju (Raj Mathur) Dil Aashna Hai Karan 1993 Maya Memsaab Lalit Kumar King Uncle Anil Bhansal Baazigar Ajay Sharma/Vicky Malhotra Winner, Filmfare Best Actor Award Darr Rahul Mehra Nominated, Filmfare Best Villain Award Kabhi Haan Kabhi Naa Sunil Winner, Filmfare Critics Award for Best Performance Nominated, Filmfare Best Actor Award 1994 Anjaam Vijay Agnihotri Winner, Filmfare Best Villain Award 1995 Karan Arjun Arjun Singh/Vijay Zamana Deewana Rahul Malhotra Guddu Guddu Bahadur Oh Darling! Yeh Hai India Hero Dilwale Dulhania Le Jayenge Raj Malhotra Winner, Filmfare Best Actor Award Ram Jaane Ram Jaane Trimurti Romi Singh 1996 English Babu Desi Mem Vikram/Hari/Gopal Mayur Chaahat Roop Rathore Army Arjun Special appearance Dushman Duniya Ka Badru 1997 Gudgudee Special appearance Koyla Shankar Yes Boss Rahul Joshi Nominated, Filmfare Best Actor Award Pardes Arjun Saagar Dil To Pagal Hai Rahul Winner, Filmfare Best Actor Award 1998 Duplicate Bablu Chaudhry/Manu Dada Nominated, Filmfare Best Villain Award Achanak Himself Special appearance Dil Se Amarkant Varma Kuch Kuch Hota Hai Rahul Khanna Winner, Filmfare Best Actor Award 1999 Baadshah Raj Heera/Baadshah Nominated, Filmfare Best Comedian Award 2000 Phir Bhi Dil Hai Hindustani Ajay Bakshi Hey Ram Amjad Ali Khan Josh Max Har Dil Jo Pyar Karega Rahul Special appearance Mohabbatein Raj Aryan Malhotra Winner, Filmfare Critics Award for Best Performance Nominated, Filmfare Best Actor Award Gaja Gamini Himself Special appearance 2001 One 2 Ka 4 Arun Verma Asoka Asoka Kabhi Khushi Kabhie Gham Rahul Raichand Nominated, Filmfare Best Actor Award 2002 Hum Tumhare Hain Sanam Gopal Devdas Devdas Mukherjee Winner, Filmfare Best Actor Award Shakti: The Power Jaisingh Special appearance Saathiya Yeshwant Rao Cameo 2003 Chalte Chalte Raj Mathur Kal Ho Naa Ho Aman Mathur Nominated, Filmfare Best Actor Award 2004 Yeh Lamhe Judaai Ke Dushant Main Hoon Na Maj. Ram Prasad Sharma Nominated, Filmfare Best Actor Award Veer-Zaara Veer Pratap Singh Nominated, Filmfare Best Actor Award Swades Mohan Bhargava Winner, Filmfare Best Actor Award 2005 Kuch Meetha Ho Jaaye Himself Special appearance Kaal Special appearance in song Kaal Dhamaal Silsiilay Sutradhar Special appearance in song Jab Jab Dil Mile Paheli Kishenlal/The Ghost The Inner and Outer World of Shah Rukh Khan Himself (Biopic) Documentary directed by British-based author and director Nasreen Munni Kabir 2006 Alag Special appearance in song Sabse Alag Kabhi Alvida Naa Kehna Dev Saran Nominated, Filmfare Best Actor Award Don – The Chase Begins Again Vijay/Don Nominated, Filmfare Best Actor Award Nominated, Asian Film Award for Best Actor I See You Special appearance in song Subah Subah 2007 Chak De India Kabir Khan Winner, Filmfare Best Actor Award Heyy Babyy Raj Malhotra Special appearance in song Mast Kalandar Om Shanti Om Om Prakash Makhija/Om Kapoor Nominated, Filmfare Best Actor Award 2008 Krazzy 4 Special appearance in song Break Free Bhoothnath Aditya Sharma Special appearance Rab Ne Bana Di Jodi Surinder Sahni/Raj Nominated, Filmfare Best Actor Award 009 Luck by Chance Himself Special appearance Billu Sahir Khan Aao Wish Karein Narrator [57] 2010 Dulha Mil Gaya Released on 8 January 2010 My Name Is Khan Rizwan Khan Releasing on 12 February 2010 Ra. 1 Koochie Koochie Hota Hain Rocky Filming Producer * Phir Bhi Dil Hai Hindustani (2000) * Asoka (2001) * Chalte Chalte (2003) * Main Hoon Na (2004) * Kaal (2005) * Paheli (2005) * Om Shanti Om (2007) * Billu (2009) Playback singer * Main to hoon Pagal – Baadshah (1999) * Apun Bola – Josh (2000) * Khaike Paan Banaraswala – Don – The Chase Begins Again (2006) * Ek Hockey Doongi Rakhke – Chak De India (2007) Sattar Minute – Chak De India (2007) Stunts director * Kuch Kuch Hota Hai (1998) * Main Hoon Na (2004) * Kabhi Alvida Naa Kehna (2006) * Chak De India (2007) * Om Shanti Om (2007) Television appearances * Dil Dariya (1988) * Fauji (1988) †¦ Abhimanyu Rai * Doosra Keval (1989) * Circus (1989) * In Which Annie Gives It Those Ones (1989) * Idiot (1991) †¦ Pawan Raghujan * Kareena Kareena (2004) †¦ Special appearance * Rendezvous with Simi Garewal†¦.. Guest * Koffee with Karan (2004–2007) †¦ Guest (3 episodes) * Kaun Banega Crorepati (2007) †¦ Host * Jjhoom India (2007) †¦ Guest * Nach Baliye (2008) †¦. Guest * Kya Aap Paanchvi Pass Se Tez Hain? (2008) †¦. Host * Oye! It's Friday! (2009) †¦ Guest * Tere Mere Beach Mein (2009) †¦ Guest See also * List of Indian Actors * Newark Airport Incident Bibliography * Nasreen Munni Kabir. The Inner and Outer World of Shah Rukh Khan (Documentary, 2005). * Shahrukh Khan – Still Reading Khan. A1Books Distributor 2007. ISBN 9788187107798. * Gahlot, Deepa; Agarwal, Amit. King Khan SRK. Augsburg Weltbild 2007. ISBN 9783828988699. * Ghosh, Biswadeep. Hall of fame: Shahrukh Khan (in English). Mumbai: Magna Books, 2004. ISBN 8178092379. * Chopra, Anupama. King of Bollywood : Shah Rukh Khan and the seductive world of Indian cinema (English). New York: Warner Books, 2007. ISBN 9780446578585. Notes 1. ^ â€Å"Indian cinema doing well because of cultural ethos: Shah Rukh Khan†. The Hindu. 17 June 2007. http://www. hindu. com/thehindu/holnus/009200706171961. htm. Retrieved 2009-08-16. 2. ^ Kumar, Anuj (11 November 2004). â€Å"Bollywood bonanza†. The Hindu. http://www. hindu. com/mp/2004/11/11/stories/2004111101010300. htm. Retrieved 2009-08-16. Kamath, Sudhish (7 December 2007). Being SRK†. The Hindu. http://www. hindu. com/cp/2007/12/07/stories/2007120750010100. htm. Retrieved 16 August 2009. 3. ^ â€Å"The Global Elite – 41: Shahrukh Khan†. Newsweek. 20 December 2008. http://www. newsweek. com/id/176325. Retrieved 24 December 2008. 4. ^ â€Å"The Rediff Interview / Shah Rukh Khan†. Rediff. http://www. rediff. com/movies/2007/mar/16srk . htm. Retrieved 5 July 2006. 5. ^ 2009 interview with an Afghan movie director on Afghan TV channel, Shahrukh Khan states that his father's father (grandfather) is from Afghanistan. 6. ^ â€Å"Badshah at durbar and dinner†. elegraphindia. com. http://www. telegraphindia. com/1040531/asp/frontpage/story_3313328. asp. Retrieved 12 March 2007. 7. ^ â€Å"Rediff News Gallery: The Shahrukh Connection†. http://specials. rediff. com/news/2004/may/31sl02. htm. 8. ^ A Hundred Horizons by Sugata Bose, 2006 USA, p136 9. ^ â€Å"Shahrukh Khan – Journey†. http://movies. indiatimes. com/cms. dll/articleshow? artid=177008&right=1&fright=1&botlink=1. 10. ^ SRK to run for Delhi TNN, The Times of India, 30 September 2009. â€Å"I was born here, in Talwar Nursing Home. I lived here for more than two decades in Rajinder Nagar† 11. IndiaFM News Bureau (2 November 2006). â€Å"Facts you never knew about SRK†. indiaFM. http://www. indiafm. com/features/2006/11/02 /1777. Retrieved 26 July 2008. 12. ^ â€Å"Shah Rukh Khan turns 42†. zeenews. com. http://www. zeenews. com/znnew/articles. asp? aid=404915&sid=ZNS&sname=exclusive-news. Retrieved 2 November 2007. 13. ^ Siddiqui, Rana (17 November 2006). â€Å"Much ado about King Khan†. The Hindu. http://www. hinduonnet. com/thehindu/fr/2006/11/17/stories/2006111701130100. htm. Retrieved 9 February 2008. 14. ^ Zubair Ahmed (23 September 2005). â€Å"Who's the real Shah Rukh Khan? â€Å". BBC News – BBC.

Art History Study Notes

Art Hist. Review Ancient Greek Art and Arch. (600 BCE-30 BCE) The Early Classical Period 480-450 BCE 5. 23 KRITIOS BOY Acropolis, Athens 480 BCE -Marble -He is self confident and serious looking -He is a sculpture in the round -The artist is believed to be KRITIOS -The statue has an S-curve to him and is in the contrapposto pose, which is when artists use tension and relaxation around the central axis of the body to increase to muscular tension and enhance the musculature of a body. It is shown here because his weight is all on the left foot, causing his hip to jut out.His right knee is slightly bent and he has a slight drop in his shoulders. -The artist also made a point to have his head slightly turned to hint that the viewer should take in the entirety of the piece. High Classical Period 450-400 BCE 5. 29 ACROPOLIS, ATHENS 447-432 BCE -In the High classical period which only lasted a half-century and set the standards for art and architecture. There was also turmoil between the Sp artans and the Athenians in this time period which was referred to as the Peloponnesian War. -â€Å"Acro† means high and â€Å"polis† means city. The Acropolis of Athens was once considered a fortress and sanctuary but was later turned into a religious and ceremonial centre for Athena the cities patron and protector. -It was destroyed by Persian troops in 480 BCE and was going to be left and a memorial site of ruins but Perikles convinced them to rebuild it. 5. 31 Parthenon, Acropolis Athens 447-432 BCE -KALLIKRATES AND IKTINOS -Pantelic Marble -Has the pediment, frieze, triglyph, metope, architrive, abacus, mechinus and necking -Athens, Corinth and Sparta. Depicted gods and goddesses who they believed were immortal and supernatural -Sanctuaries for gods and goddesses in form of outdoor alters—replaced by temples integrated into natural site -temples decorated with ceramic sculptures -mathematical proportions which artists use to convey structure and order 4:9 r atio 4Ãâ€"2+1 -human values of truth virtue and harmony -High classical period -plain capital -temple dedicated to Athena -stylobate floor columns rest on and stereobate foundation itself -post and lintel system -entasis columns slightly swell in the middle -Doric order plain capitals peace, prosperity and power through the building projects -transport wood, gold, marble and ivory -sculptures celebrate the Greek victory over Persians 5. 32 EAST PEDIMENT OF THE PARTHENON 447-432 BCE (ATHENS) – High Classical period 450-400 BCE -Sculpture in the round filled both pediments of the Parthenon -illustrated the birth of Athena, fully grown and clad in armor, from the brow of her father Zeus. -The statues from the west pediment are the best preserved of the two. -besides Zeus and the newborn Athena are three goddesses followed by a single reclining male figure who could be Diomysos or Herakles. In the left corner was Helios (sun god) in his horse-drawn chariot rising from the sea an d to the right the moon god Selene descends in her chariot to the sea. -The running female figure in the center is Iris the messenger of the gods. P. G. 134 SPEAR BEARER (DORYPHOROS) 450-440 BCE (NAPLES) -POLYKLEITOS -Marble -developed canon of proportions system of measurement used to determine the proportions of the body -contropposto pose is balance and counterbalance one foot bearing weight and one not bearing the weight.In this case his right foot is the one bearing all the weight of his body while the left foot is relaxed. -It is said to be the hero Achilles -Theorists believed that the basic unit was the length of the figures index finger or the width of the figures hand across the knuckles; others think it was the height of the head from chin to hairline. -S-curve -High classical period -spear bearer, idealized, exaggerated The Late Classical Period 400-323 BCE 5. 46 MAN SCRAPING HIMSELF (APOXYOMENOS) 350-325 (VATICAN) -LYSIPPOS -Marble sculpture -Done in the late classical period male nude athlete, which is a typical Classical subject -This is a sculpture in the round that depicts a young athlete after his workout removing dirt and oil from his body with a tool called a strigil. -Has a different canon of proportions than The Spear Bearer. -His head is smaller in proportion to The Spear Bearer and his legs are spread further apart to counterbalance his outstretched arms. -There is a pronounced S-curve to his posture. -The arms break free into the surrounding space inviting the viewer to take in the entirety of the piece. The Early Roman Empire 27 BCE-96 CE P. G. 76-177 ARA PACIS AUGUSTAE 13-9 BCE -Ancient roman art -Dedicated to Augustus’ triumphant return from the capital after three years of establishing Roman rule in Gaul and Hispania. -It was aligned with a giant sundial. -it contained propoganda of portraiture and allegory, religion and polotics and the private and the public. -on the inside of the alter there are foliate garlands suspended in swags from ox skulls, which symbolize sacrificial offering at the alter during annual commemorations and garlands signify the continuing peace and prosperity brought to the Roman world by Augustae. Augustae’s Imperial Family is depicted on the south side of the Ara Pacis and represent his extended family, possibly Marcus Agrippa (far left) who might have been his successor. The child pulling at Agrippa’s robe is possibly Agrippa’s son Gaius Caesar. The women next to Agrippa on the right may be Augustus’ wife, Livia who grasps her younger sons hand (Germanicus) who is in beside Tiberius (the next emporer). Behind Tiberius is Antonia, Augusts’ niece who looks at her husband Drusus (Livia’s younger son). -Pax Romana — Roman Peace -pointifex maximus—high priest 6. 34 & 6. 5 FLAVION AMPITHEATER (COLOSSEUM) 70-80 CE (ROME) -Tuscan bottom -Ionic middle -Corinthian on top -It was called the colosseum because the statue of Nero call ed the colossus stood next to it. -seating was by rank lower the rank higher you sat -Early Roman Empire -Flavion dynasty -begun under Vespasian finished under Titus -soldiers would fight animals -tiered seating with good sight lines from where you sit. -Top level covered by and onning -top story in referred to as attic -cartouche —shield shaped ornaments -look at Roman arches High Imperial Art of Trajan and Hadrian 6. 38 MODEL OF IMPERIAL ROME 324 CEColosseum, Temple of Venus and Rome, Arch of Titus, Basilica of Maxentius and Constantine, Rorum of Vespasian, Forum of Augustus, Forum of Julius Ceasar, Rostrum, Forum of Trajan, Basilica Ulpia, Colmn of Trajan, Patheon. 6. 45 THE PANTHEON 118-128 CE (ROME) -It was built for the â€Å"all the gods† -built by Marcus Agrippa son in law of Augustus -it has a giant rotunda surmounted by a huge, bowl-shaped dome. -the oculus that allows light into the rotunda building shows a pattern-like formation when looking up at the coffe rs in the dome’s ceiling. -Corinthian columns -optimus is a skylight or opening in dome corticoid of columns -Exadraie niche for the statues rectilinear and rounded arches -made out of brick and concrete (powdered lime, small rocks, pebbles, rubble) -produced during high imperial period -Hadrian oversaw building of this he admired Greek art and arch. -podium or steps in front of building that lead to porch -Rotunda and dome -Pantheon means all the gods Early Christian Art P. G. 228 OLD ST. PETER’S BASILICA 320-327 (ROME) -It is a longitudinal-plan churches are characterized by a forecourt, the atrium, leading to an entrance porch, the narthex, which spans one of the building’s short ends. The nave can be lit by windows along its upper level just under the clerestories, called a clerestory above the aisles roof. -At the opposite end of the nave from the narthex is a semicircular projection, the apse, which functions as the building’s focal point where the alter, raised on a platform. -plan is known as the Latin cross CHURCH OF SANTA COSTANZA 350 (ROME) -This church is a central-plan church, which were first used by the Christians. -Central planned churches have an atrium, a narthex, and an apse. It has a central more vertical axis from the center up through the dome, which may have functioned as a symbolic â€Å"vault of heaven†. 7. 15 ORATORY OF GALLA PLACIDIA 425-426 (RAVENNA) -It is one of the earliest surviving Christian structures in Ravenna is an oratory, which is a small chapel). -Its named after Honorius’ half-sister Galla Placidia. -Galla Placidia was the daughter of Western Roman Emperor, the wife of a Gothic King and the mother of Emperor Valentinian. -This small building is cruciform, which means cross-shaped. -Each arm is covered with a Barrel vault and a pendentive dome covers the square base at its center. it is designed to make you feel as though you are walking from the real world to the supernatural wo rld as you walk into the interior of the church. -the upper walls are filled with standing apostles, gesturing like orators. Eternal life in heaven is symbolized by doves flanking a small fountain between the apostles. -The Marter caries a cross over his shoulder like a trophy gesturing towards the fire-engulfed grill he was roasted on martyrdom. The Gospels are to the left signifying the faith for which he gave his life. 7. 16 THE GOOD SHEPARD 425-426 (RAVENNA) Jesus is an adult emperor wearing purple and gold royal robes. He wears a golden halo and carries a golden staff that ends in a cross to represent his imperial majesty. -Christianity was the official state of religion for the 45 years this is why the artist chose to depict Jesus in the mosaic. Early Byzantine Art 7. 17 CHURCH OF HAGIA SOPHIA 532-537 (ISTANBUL) -ANTHEMIUS OF TRALLES AND ISIDORUS OF MILETUS -means Holy Wisdom -It was rebuilt after a devastating revolt that killed 30,000 people set fire to the old church burnin g it to the ground. -Anthemius and Miletus rebuilt the church in just 5 years longitudinal and central architectural planning -flanking conches-semi domes-extend the extend central space into longitudinal nave with the narthex on one end and the half dome of the sanctuary apse on the other. The core called the naos is flanked by side isles and galleries overlooking the naos. 7. 20 CHURCH OF SAN VITALE 520 (RAVENNA) -Ecclesius bishop of Ravenna commissioned two new churched one for the port and one the city. -A martyrium is a church built over a grave was dedicated to 4th-century Roman martyr St. Vitalis in the 520’s -central domed octogon with circular rooms flanking the apse. the church and palace are joined by a separate oval narthex and access to second floor gallery. -It has a double set of doors leading into the church. 7. 21-7. 22 CHRIST ENTHRONED, FLANKED BY ANGELS, ST. VITALIS AND BISHOP ECCLESIUS 547 ( RAVEENA) -Early Byzantine Art -Christ is flanked by St. Vitalis a nd Bishop Ecclesius. -Christ appears dressed in imperial purple and enthroned on an orb of paradise, which is evident because of the 4 rivers that flow beneath him. -two winged angels flank him, like imperial bodyguards or attendants. -Christ holds a scroll with 7 seals at his Second Coming at the end of time. he offers a crown to martyrdom (far left) labeled by St. Vitalis. -Bishop Eucclesius holds a model of the church offering it to Christ. 7. 23 EMPEROR JUSTINIAN AND HIS ATTENDANTS, NORTH WALL OF APSE 547 (RAVENNA) -Early Byzantine Art -Justinian carries a large golden paten that will be used to hold the Eucharitic Host and stands beside Maximianus, who holds a gold jewel encrusted cross. The priests to the right hold carry the Gospels, in a golden jeweled book that symbolizes the coming of Word, and a censer with burning incense to purify. 7. 24 EMPRESS THEODORA AND HER ATTENDANTS, SOUTH WALL OF THE APSE 547 (RAVENNA) -Early Byzantine Art Theodora wears a golden halo and elabor ate crown while she stands under a fluted shell canopy, she carries a jeweled golden chalice. -The rulers present these gifts as offerings to Christ -At the bottom of Theodora’s cloak the three Magi who brought gifts to Jesus are depicted. -Revolves around themes of offering -They stand beside a fountain and the open doorway and curtain are space-creating devices. 7. 35 CHRIST PANTOKRATOR AT CREST OF CENTRAL DOME, WITH SCENES FROM THE LIFE OF CHRIST IN THE PENDENIVES, (GREECE) LATE 11TH CENTURY -Early Byzantine Art The image of the Pantokrator is at the centre of the dome like a divine surveyor. -Christ blesses the segregation with one hand and clutches a massive book in the other. -In the corners piers are four signal life episodes: Annunciation, Nativity, Baptism and Transfiguration. 14. 13 14. 14 PALACE CHAPEL OF CHARLEMAGNE 792-805 (GERMANY) -The Carolingian Empire – Was Charlemagne’s private place of worship. -central octagonal plan with a monumental wester n entrance block. -It used westwork, which is a structure combined with a ground-floor narthex and an upper level throne room that opened onto the chapel interior. It also opened outside into a large walled forecourt. – The core of the chapel is surrounded by and ambulatory and a gallery on the second floor which rises to a clerestory under the dome and above the gallery. -There are Corinthian columns on the gallery level. -This chapel was clearly inspired by Byzantine Architecture with the mosaics and patterned multi-colored stone. 14. 16 SAINT GALL PLAN 817 (SWITZERLAND) -The Carolingian Empire -At the center of the Saint Gall Plan is the cloister, which is an enclosed courtyard which opens all the buildings that are most central to the lives of the monks. the large basilican church to the north of the cloister is where monks would gather for communal prayer throughout the day and night. -on the north side of the church there were public buildings. -the monks living quarter s were off to the southern and eastern sides of the cloister with the dormitory, refectory and work rooms. – the kitchen, brewery and bakery were attached to the refectory and a huge cellar was on the west side. -Along the East edge there is a hospital, cemetery, and an educational center. 14. 24 DOORS OF BISHOP BERWARD 1015 (GERMANY) -Bronze doors are more than 16 feet tall. Ottonian Europe -cast in the lost wax process -the left side depicted scenes from the Hebrew bible and the right was scenes from the new testament. -It depicts life in paradise, the fall, life in the new world and Eve’s children on the left and Promise of Return to Paradise, The passion, Infancy of Jesus and Mary’s child on the right. -all depicted in low relief Romanesque Art : in the Roman manner P. G. 458 THE PILGRIMAGE ROUTES TO SANTIAGO DE COMPOSTELA -In the 11th and 12th centuries religious pilgrimage became very popular in Western Europe. 15. 7-8 THE ABBEY AT CLUNY 1088-1130 (FRANCE) in the 2nd half of the 11th century there were 200 monks in residence. -The cloister is at the center of the monastic community joining the church with domestic buildings and workshops. -it had elaborately carved capitals and relief sculptures on the piers. -it may have been to direct and inspire the monks thoughts and prayers. -Cluniac monks observed the traditional 8 hours of the Divine Office spread over the day and night. -The church was a basilica with five aisles, double transept with chapels and an ambulatory and radiating chapels around the alter. The nave had a three part elevation -it had pointed arches with Classical ornaments. -there were clerestory windows in each bay and a pointed barrel vault with transverse arches. 15. 9 -10 NAVE, ABBEY CHURCH OF NOTRE-DAME, FONTENAY 1139-1147 – founded by St. Bernard of Clairvaux – no interior decoration because he believed it would be a distraction to the monks – Cistercians led a very austere simple life â₠¬â€œ Romanesque means in the Rome manner – Feudalism lords owned lands loaned to Basils and bellow Basils were Peasants – Building has simplicity, austerity Windows symbolize the holy trinity- father, son and the holy ghost – Cloister is where the monks gathered – Simple geometric plan with a long bay-divided nave, rectangular chapels off the square ended transept arms and a shallow choir. – There are pointed barrel vaults over the nave and pointed arches in the nave arcade and side isle bays. 15. 22 SOUTH PORTAL AND PORCH, SHOWING CHRIST IN MAJESTY, PRIORY CHURCH OF SAINT-PIERRE, MOISSAC 1115 (FRANCE) -Christ in Majesty dominates the tympanum and is a visual of the Second Coming in chapters 4 and 5 of the Revelation. He is enclosed by a mandorla and a halo rings his head -the four winged creatures symbolize the evangelists, Matthew the man, Mark the lion, Luke the ox and John the eagle. -rippling bands may represent waves in the â€Å"sea of clas s like crystal† THE LAST JUDGMENT TYMPANUM AT AUTUN 1120- 1130 (FRANCE) -GISLEBERTUS -Inscription in Latin on Christ -Mary is enthroned as Queen of heaven and St. Peter bellow is shown with the large keys slung over his shoulder as heavenly gatekeeper. -angel pushes the saved into open archway and into heaven another figure stands beside the angel impatiently waiting to be hoisted up as well. cross and scallop shell identify two bottom figures as former pilgrims and will be a factor in their favor at the last judgment. -hell is represented as a Basilica with the devil emerging capturing sinners for eternal torment -he uses a sharp hook to capture luxuria who is the personification for lust. Gothic Art of the 12th and 13th Centuries 16. 6 WEST FACADE, CHARTERS CATHEDRAL 1134-1260 (FRANCE) -dedicated to the virgin Mary its main treasure is a piece of cloth said to have been worn by the Virgin Mary when she gave birth to Jesus. -It was a gift from Byzantine Empress Irene to Charl emagne surrounding the three doors is the Royal Portal used for important ceremonial entrances -the middle tympanum Christ enthroned in majesty returns at the end of time surrounded by 4 evangelists. The apostles in 4 groups of 3 fill the litel while 24 elders of the Apocalypse line the archivolts. -The right portal is dedicated to the Incarnation and shows Mary in the early life of Christ -in the left portal is the Ascension where Jesus floats up in a cloud supported by angels. -On the top of the three portals Jesus’ life on earth is depicted in a series of narrative scenes. Kings, Queens and prophets from the Hebrew bible are what give the Royal Portal its name. 16. 10-11 NAVE & PLAN,CHARTERS CATHEDRAL 1194 (FRANCE) -Romanesque pilgrimage plan -became typical Gothic structure -it used pointed arches, ribbed groin vaults and flying buttresses. -upper level was now a triform rather than a gallery -the large clerestory windows are formed with lancets that have small circular r ose windows done by plate tracery-holes cut in wall replaced with stained glass 16. 12 THE GOOD SAMARITAN WINDOW 1200-1210 (CHARTERS CATHEDRAL) -On sin and salvation and is Gothic narrative art -Jesus told his followers to teach a moral truth it is a parody for Jesus’ redemption for humanity’s sins -Adam and Eve’s fall introduce sin into the world and Christ rescues humanity from sin -figures characterize gothic figures because of their dancelike postures 16. 13 ROSE WINDOW AND LANCETS (CHARTERS CATHEDRAL FRANCE) 1230-1235 -quatrefoils are four lobed designs within the rose itself – The North Rose and its five lancet windows were a gift from Queen Blanche of Castille in 1230. -The rose window depicts the Glorification of the Virgin: Virgin and Child surrounded by doves and angels, then Old Testament kings and Old Testament prophets. Lancets, from left to right: Melchizadek and King Saul; King David and King Jeroboam; St Anne and the infant Mary with the a rms of the Royal House of France; King Solomon and King Nebuchadezzar; Aaron and Pharaoh. 16. 14-17 THE CATHEDRAL OF NOTRE-DAME IN REIMS 1211-1428 (FRANCE) -finished under Philip the Fair -five master masons directed the work over a century. -Mary is featured in the central portal, because of the growing popularity of her cult. -Christ crowns her as queen of heaven in the central gable. -â€Å"the gallery of kinds is the only horizontal element of the facade.WEST FACADE -It depicts Visitation and Mary on the left and Elizabeth pregnant with St. John the Baptist on the right. -the figures are in contrapposto pose because their weight is shifted to one foot as they turn towards each other. -Villard highlighted an innovation that was the development of bar tracery, where thin stone bars called mullions are inserted into the wall to form a lacy framework for the stained glass. 16. 31-32 PULPIT 1260 (ITALY) -NCOLA PISANO – Corinthian columns -elevated and are carved in design of animals -gothic trefoil arch and 6 sided pulpit enunciation angle of Gabriel announces that Mary is pregnant with Christ -classical and naturalistic style -New Testament Subjects -Each panel narrates several continuous scenes such as : Annunciation, Nativity and Adoration of the Shepherds. 16. 33 NATIVITY 1302-1310 (PISA) -GIOVANNI PISANO – deeply carved setting -Mary gazing at her baby as the midwife below her prepares the bath for the child. -Sheep, shepherds and angels spiral up towards the trees to the right -it is as dynamic as Nicola’s is static. Fourth Century Art in Europe 17. 5 VIRGIN AND CHILD ENTHRONED 1280 (FLORENCE) -CIMABUE -tempera and gold on wood panel the Virgin and Child are surrounded by angels and places a row of Hebrew prophets below them. -Mary is depicted in hierarchy and holds Jesus on her lap. – she looks at the viewer while gesturing at her son. -her throne is bronze with enamels and gems inset and provides framework for the figures. H e uses thin gold lines to highlight the drapery of the figures to give them a sense of divinity. -he gives naturalistic warmth and dimension to his human figures. 17. 6 VIRGIN AND CHILD ENTHRONED 1305-1310 (FLORENCE) -GIOTTO DI BONDONE – tempera and gold on wood panel -painted for the church of Ognissanti figures are in a symmetrical composition and use the hierarchy scale like Cimabue’s Virgin and Child Enthroned. -Mary takes up a large amount of space and overwhelms her Gothic throne. -the halos also overlap the faces of the figures in the background -she holds her child’s leg instead of pointing to him. -he has created a better sense of dimension compared to Cimabue’s -the angels are foreshortened and project towards us. 17. 7 SCROVEGNI (ARENA) CHAPEL 1305-1306 (PADUA) -GIOTTO DI BONDONE -fresco -he covered the entrance wall with The Last Judgment and the sanctuary wall with 3 scenes from the life of Christ. The Annunciation spreads over two painted ar chitectural frameworks on either side of the opening to the sanctuary. -below and to the left of this is the scene of Judas getting payment for betraying Jesus and to the right the scene of Visitation where Mary pregnant with God is with Elisabeth who is pregnant with John the Baptist. -Colors complement each other, which is supposed to make the viewers relate them to each other -there is a grisaille which is a painting done in all grays -paint replicated marble and carved medallions on vertical bands -portrait disks float like glowing moons in the blue sky. 17. MARRIAGE AT CANA, RAISING OF LAZARUS, LAMENTATION AND RESURRECTION/NOLI ME TANGERE 1305-06 (PADUA) -GIOTTO DI BONDONE -fresco -scene from Christ’s life -top left Jesus performs his first miracle, at the wedding feast at Cana turning water to wine and the wine-steward sips it. -to the right is the Raising of Lazarus where figures twist in space using gestures they react to the drama by pleading for the help of Jesus. J esus’ eyes are locked on Lazarus. -on the lower left register is Jesus’s followers grieving over his dead body in a circle of grief. Mary holds her dead son and John flings his arms back in despair and hunches over the corps. 7. 9 KISS OF JUDAS SCROVEGNI (ARENA) ITALY 1305-06 -GIOTTO DI BONDONE -fresco – the mark of betrayal that shows the first step to Crucifixion for Jesus. -they are slightly off-center in the foreground. -Judas wears the same outfit as in the scene of payment for his betrayal and looks as though he completely swallows Christ’s body. -faces glare from all directions -Jesus is calm unlike the figures in the rest of the scene. -Peter is seen lunging forward to cut off the ear of a member of the arresting retinue. -The scenes of cloth compress the chaos into the picture as if to protect the viewer.

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Stage writing 4 - Research Paper Example or even viewing aggression purges angry feelings and aggressive impulses into harmless channels† (Bushman & Whitaker, 2010, 790), the authors aimed to validate whether playing violent games would serve as a form of catharsis or purging to release one’s anger. Right after the introductory paragraph, the authors made reference to other research studies made on the subject of determining the validity of the catharsis theory through violent video games. However, as clearly indicated, the authors did not aim to validate the catharsis theory but to test the hypothesis that â€Å"belief in catharsis increases attraction to violent games, especially among people who want to get rid of their anger† (Bushman & Whitaker, 790). The study was an experimental type of research with a methodology that requires the participants to complete three distinct tasks in two experiments. The analysis required multiple regression with centered predictor variables, simple-effect analysis, and 3-analysis of variance, as clearly indicated under results and discussion portions of each experiment. The authors claimed that experiments 1 and 2 generated conclusive and practically the same results which clearly validated the identified hypothesis. Bushman & Whitaker emphasized that the strong attraction to play violent video games were predominantly focused on â€Å"angry people led to believe in catharsis† (Bushman & Whitaker, 791). The claims were stated under the results and discussion portions of the article after each experimental procedure. The claims could not be absolutely validated because as the authors indicated, this is the first research which used experimental method to address the question of determining people’s being attracted to violent entertainment or to violent video games. Likewise, the authors did not indicate any limitations of their study which could include a closer focus on the gender has

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Health Promotion - Appraoches and Methods - Assignment Example This paper examines the factors, the causes, indications of drug abuse and its implication on society. Furthermore, we will focus on health promotion project that will give in an insight of drug abuse program and strategic analysis towards its preventative measures. Significance of this Study It has been seen that there is a tremendous use of drugs among young adolescents and teenagers between 11 years to 24 years of age (Blum, 2011). This study is significant as it addresses the social issues which influences youth towards drug use. There have been many arguments between people as some relate drug abuse as a genetic or biological malfunction or some argue that it is a personal choice of the individual to what he indulges into (Li, Mao, & Wei (2008); Abadinsky (2010)). However, in most cases friends who are already drug users influence young kids. There is peer pressure, and they would rather fit in their group and not be called as ‘outcasts.’ These groups may also be as sociated with criminal groups or activities. Research also indicates that the use of illicit drugs has become a part of the lifestyle and taken as a pleasurable experience (Hammersley, Marsland, & Reid, 2003). Teenagers indulge in these activities as they may suffer from depression due to unemployment, low quality housing and may feel deprived of physical or emotional insecurity of their wellbeing (Wilkinson & Marmot, 2003). In other cases, some young adults are rebellious or just naturally curious and want to experiment into drugs without knowing the consequences of it. It has been seen that young adults may seek drugs as a defense mechanism against any trauma or tragic incident they have gone through in their life (?aminer & Bukstein, 2008). There are other factors due to which young adults are prone towards drugs like the easy availability and low cost of the drugs, which increases the risk of drug and substance abuse. Besides this, advertisements of pain relieving drugs also aff ect young kids and their thought process (Sussman & Susan, 2008). Hence, examining all these factors we can say that it is necessary to initiate such programs and campaigns through which the younger generation are made aware of the physical and psychological changes when they are exposed to prolonged drug abuse and its aftermath on the society. There are many behavioral problems associated with prolonged drug abuse. It gives rise to domestic and child abuse, hallucinations and impaired judgment. It has also been seen that the drug use has given rise to increase in sexually transmitted diseases (STDs) in youth as they do not take precautions when they are on drugs (Hammersley, Marsland, & Reid, 2003). Persons are also more inclined towards homicidal activities with suicidal tendencies as well (Marvin, Sharon, & Thomas, 1979) Drug Abuse Project The main purpose of a drug abuse project will be examining all these elements, how drug abuse originates and also define moral and ethical val ues in youngsters specially teenagers to instill healthy lifestyle in their life. In order to rebuke this system where drugs are easily available it is necessary to have such social and cultural settings that encourage positive approach towards life and the prescription of drugs is made limited as most youth perceive them safer than common street drugs. One of the important features of this report is to project these issues through media to affected persons as well

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Obesity, Diet and Physical Activity Data in England Shows Worsening State of Health of General Population - Essay Example The same overall trend emerges as the data is further processed and assessed for levels of occurrence of obesity as primary diagnoses for the same population of inpatients in hospitals in England over the decade-long observation period ending in 2013, with levels of occurrence being the highest for the age group from 35 to 54 years, and tapering off from either end of that peak age group (Datawrapper 2015; data.gov.uk 2015): There is another way to view the numbers presented above, that looks at the cost implications of the obesity numbers. Those costs relate to the medical interventions that are undertaken to treat obesity, and this, in turn, can be gauged by a proxy measure of the number of obesity medications that were given to obese inpatients in England for the observation period. Consistent with the overall trend for the occurrence of obesity throughout this observation period, with peaks around 2009-2011 and dips from 2012 to 2013, the numbers for medicine prescriptions to deal with obesity also follow the same peaks and dips (data.gov.uk 2015): Translating those prescription numbers into costs, we see that there has been a substantial overall escalation in obesity medicine costs through time, even with costs at the tail-end of the observation period going down (data.gov.uk 2015): Looking at the data from the perspective of the last plot, we see that obesity translates to very real and large healthcare financial costs. Moreover, extrapolating the figures and adding in the potential incremental costs of medication from the consequences of obesity, such as diabetes, it is natural to expect that the absolute financial costs must be a very large burden on patients and the healthcare system must shoulder. Moving forward, therefore, the overall trend towards worsening health has dire implications for the cost of managing obesity and overall healthcare in England (data.gov.uk 2015).

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Finance Essay Example | Topics and Well Written Essays - 2500 words - 1

Finance - Essay Example For this to effectively happen, all the staff should have a sense of ownership of the budget being put into use. In order for the management to efficiently perform the necessary management functions, the use of budgets becomes very fundamental (Hilton, 1994). Therefore, budgets are mostly used in the planning process. It therefore needs to be employed appropriately so as to facilitate communication and act as a motivational factor amongst the employees. In addition, budgets are also used as for control and performance evaluations and measurements. Apart from all that, budgets provide a target for each member to achieve as well as a focus for their efforts (Hopwood, 1974). It therefore calls for participation to be allowed so that those involved in budget setting can be allowed to freely discuss and be more receptive to the decisions made so that they can easily corporate in achieving the budget goals. One very important issue that Charles Ltd. should know is that; the way in which th e budgets are administered to the appropriate staff determines their effectiveness to help achieve the organizational goals. Janet was not made part of the group when setting the budget with which she was served, therefore she could less understand the importance of this budget as well as its usefulness. She ought to have been part of this budget from initiation for him to adopt it without any problem (Lamberton & Harvey, 1991). Instead, she was made to adopt a budget of which she did not feel part of its ownership from the start. It is therefore important for Charles Ltd. to recognize that budgets in an organization have two important uses; one, they are used as a forecasting tool to measure the performance of the company in a particular period of time, especially in a year, and the second use is where the budgets are used as a yard stick of the managerial performances. However, it is usually argued that, by using the budget for measuring managerial performance, it can as well be u sed as a tool for control in the organization (Schiff & Lewin, 1978). The current budgetary reporting system considers variances that evidently show both the efficiencies and inefficiencies of the budget. This is determined by considering whether the variances are either favorable or unfavorable. On several occasions, the variances seem unfavorable as can be explained by the differences between the budgeted and the actual figures in the table. The notes 1 and 2 also indicate that the variances are unfavorable. Considering that the budget report was made by the directors without making Janet and other supervisors and managers part of its setting, it becomes very difficult for these other staffs who were not involved to just accept and adopt it. Instead, the result would be that most of the staff would use the inefficiency side of the budget report to criticize it. Taking an example of Janet, she says she has no time for the paper work, maybe because she might not have been used to th e this system of budgetary reporting. By considering the report inaccurate and unfair, she may be feeling that the inefficiencies might have arisen due to the

Choices for Capital Structure for Firms Undergoing Merger Essay

Choices for Capital Structure for Firms Undergoing Merger - Essay Example The essay "Choices for Capital Structure for Firms Undergoing Merger" discusses the importance given to the propositions made by Modigliani and Miller when there are instances, such as mergers and acquisitions between two companies, which require raising new capital or reshuffling the existing capital structure. The understanding of the propositions presented by Modigliani and Miller reveals that there are four different outcomes which resulted from continuous research conducted in the late 50s and early 60s. At the beginning, Modigliani and Miller presented the first proposition which established that in the presence of certain conditions the choice of the capital structure of a firm, which comprises of proportions of debt and equity, does not have any impact on the overall value of that firm. The next proposition, which is the second one, puts forward the idea that the extent to which a firm leverages its business does not affect the WACC (weighted average cost of capital) of that firm. In other words, this idea proposed that the cost of capital, i.e. the equity based capital, is directly related to a linear function to the capital structure of the firm, i.e. the debt to equity ratio. The third theorem or proposition established that whatever may be the dividend policy of a firm, the market value is not affected by it. Lastly, the fourth proposition holds that the shareholders of a firm are not interested in the financial policies of their firm. Therefore, think of the firm as a gigantic tub of whole milk... The understanding of the propositions presented by Modigliani and Miller (1958) reveals that there are four different outcomes which resulted from continuous research conducted in late 50s and early 60s (Modigliani and Miller 1958, Modigliani and Miller 1963). At the beginning, Modigliani and Miller (1958) presented the first proposition which established that in the presence of certain conditions the choice of the capital structure of a firm, which comprises of proportions of debt and equity, does not have any impact on the overall value of that firm (Villamil 2006, Modigliani and Miller 1958). The next proposition, which is the second one, puts forward the idea that the extent to which a firm leverages its business does not affect the WACC (weighted average cost of capital) of that firm. In other words, this idea proposed that the cost of capital, i.e. the equity based capital, is directly related in a linear function to the capital structure of the firm, i.e. the debt to equity ra tio. The third theorem or proposition established that whatever may be the dividend policy of a firm, the market value is not affected by it. Lastly, the fourth proposition holds that the shareholders of a firm are not interested in the financial policies of their firm (Villamil 2006, Modigliani and Miller 1958). In order to explain the concepts underlying the propositions, Miller (1991) presented a simple example for the purpose of explaining the same. As per Miller (1991), â€Å"Think of the firm as a gigantic tub of whole milk. The farmer can sell the whole milk as it is. Or he can separate out the cream, and sell it at a considerably higher price than the

QUANTITY SURVEY PRACTISE-COMMERCIAL DEVELOPMENT Essay

QUANTITY SURVEY PRACTISE-COMMERCIAL DEVELOPMENT - Essay Example This is because this will be the ideal thing to do so that the project is completed in good time to deter the anxiety of your clients. In the letter, he directs that i advice you on the implications of the letter. On this regard, I advice, that you initiate the project as directed. This is in view of the fact that it is your duty to do that, failure to which the client may initiate a legal complaint against your firm. It is more so important because of the history of the client in being quick to seek legal redress on slight delays. As it is in the public domain, the client sued Yanda property developers in the year 2007 for failure to initiate a project (Delay of one month). On this note, it is my humble opinion that you carry out your contractual obligations as soon as possible. (Aqua Group, 2007) I write on behalf of my client, Oligarch Investments, in reference to a letter dated 28 September 2012 14:23. Our client has, in receiving the letter, undertaken to fully carry out their obligation in time. My legal opinion is that this will be detrimental to your firm if the funding problem is not sorted out in time. This is because it is your legal obligation to carry out the project as stipulated in the contract. I write in reference to your letter dated, 8 October 2012 08.30, acknowledging receipt of the letter from the architecture and communication from your backers. The implication of this could be delay of the impending project. Subsequently a legal tussle may ensue. However, our firm would like to advice that we write to the relevant firms and authorities to seek extension of time to avoid

Native American Feminism Essay Example for Free

Native American Feminism Essay â€Å"You cannot solve a problem from the same consciousness that created it. You must learn to see the world anew.† –Albert Einstein When approaching poverty as a global initiative rather than a feminine concern, most feminist lenses often lack the focus and compulsiveness that finding efficient solutions require. This paper will discuss the views of various groups of women; American Indian, Third-World, Indigenous, Muslim, Native Feminist, African American, and Western, through the perspective of various lens but more specifically; western and indigenous. By looking through two generally opposing lenses and examining the multidimensional aspects of poverty through feminism, we can generate a more precise and focused ideal of resolving the issue rather than taking it as a global initiative and generalizing it. Poverty is subjective and cannot be defined in terms of binaries or simple standards. Feminism as a catalyst to reducing poverty is vital to its success. Poverty is a very dynamic and multi-dimensional phenomenon that cannot be studied in way of vagueness and objectivity. Men’s poverty is different than women’s poverty as is children’s poverty different from both. To approach all aspects of poverty in one nebulous way would lead to a likewise superficial solution lacking depth and the focus needed to make truly beneficial changes. Poverty cannot be faced as a global initiative because not nearly enough attention and importance will be placed on the women in these societies. This is the problem with essentialism. Essentialism is the view that for any specific entity there is a set of attributes of which are necessary to vital to its identity and function. Strategic essentialism is using one characteristic to categorize as a whole in order to â€Å"essentialize† themselves and reach a certain defined goal. Feminism cannot be essentialized because it is too complex of an idea. There is not just one problem that feminism has to fix, but instead a multitude of different levels and types of issued that must be considered. Since f eminism is so multi-faceted, it cannot be considered with a multiculturalist approach either. Multiculturalism, which is usually efficient on smaller scales, attempts to imagine a world that can â€Å"encompass different identities and ways of being in a manner that respects and values all† (Bhattacharyya, 2008). However, on a larger scale, multiculturalism does not produce reliable claims since the factors being included are often  too complex and diverse. Women are often separately discriminated in their societies. It should not be trusted that proposed initiatives of lowering poverty actually give proper and equal attention to both men and women. According to economist, Stiglitz, â€Å"power gets power.† In history, it is popularly noted that the groups with control in societies were the ones who had all big decisions made in favor of themselves because they were the ones making the decisions. They were the only ones who were even given the option to have a voice. Throughout essentially all of history, men have been the one in power, and therefore the decision makers in which societies base them off of. With men in power, men become prosperous. The people in power have the responsibility of developing a society to become what they want it to be. What is given great importance is c arried out through most decisions. Not only are feminist movements often considered global movements, but these global feminist movements are more subject to western ideas. â€Å"With the increasing privatization and corporation of public life, it has become much harder to discern such a women’s movement from the United States (although women’s movements are thriving around the world), and my site of access and struggle has increasingly come to be the U.S. academy (Mohanty, 2008).† The separation between feminist and western is increasingly being blurred, with many western ideas seeping through the cracks of femininity. Many feminist movements attempt to form solutions to poverty and female discrimination in third-world nations through the ideas of western, developed and powerful theorists. When solutions are formed across borders, the true reality and needs of the â€Å"victims† are not usually considered. Feminist scholar, Chandra Mohanty, discusses the â€Å"assumption of women as an already constituted, coherent group with identical interests and desires, regardless of class, ethnic, or racial location, or contradictions , implies a notion of gender or sexual difference or even patriarchy that can be applied universally and cross-culturally.† Although in this context Mohanty is referring to the separation of analyzing men and women, this same idea should be applied to the separation of analyzing women of different backgrounds and cultures as well. Women are often lumped together into large and vague categories which presents a lack of division and consideration for the diversity apparent in the women species. This ongoing insensitivity to differences causes a dividing wall in womanhood;  often applied to class and culture. Third-world women encounter even less consideration than â€Å"western women usually do† (Mohanty, 2008). In most of western women’s writings, the numerous divisions of women are not addressed. At the end of Mohanty’s writing, she concludes that the only advantage that western women have over â€Å"third-world† women is that they live in more developed societies with stronger economies. However, socially, they suffer the same gender issues and disadvantages that correlate w ith being female. There are binary stereotypes that are common in feminist studies today. The â€Å"third world woman† and the â€Å"western woman† are approached in very different ways. The third world woman being â€Å"ignorant, poor, uneducated, tradition-bound, domestic, family-oriented, victimized (Mohanty, 2008),† versus the â€Å"self-representation of Western women as educated, as modern, as having control over their own bodies and sexualities and the freedom to make their own decisions.† These stereotypes are extremely dangerous when approaching poverty. Many third-world women feel a strong innate loyalty to the culture in which they are native to. Their culture and traditions is so deeply transcribed within them that when approached with the ideas of feminism, they often reject them. For example, a popular assumption made by many Native communities is that indigenous women should defend their own â€Å"tribal nationalism† which has been known to ignore the sexism and mistreatment that women in these tribes often encounter and deal with to achieve â€Å"liberation from colonization,† (Ramirez, 2007). It is seemingly more important to these women that they prevent colonization rather than achieve social prosperity. This correlation between â€Å"feminism† and betraying one’s tribal â€Å"sovereignty† is a very dangerous connection. The possible guilt that a tribe may provoke when a woman supports feminism is very unfortunate. However, disregarding feminism just because it is not commonly practiced is even more damaging. â€Å"Indigenous women in the United States die from domestic violence at twice the rate of other women† (Ramirez, 2007). These high rates of female domestic violence are popular within many Native American tribes. What women in these tribes are afraid of is that feminist reforms are based off of western principles. The key to finding a solution is placing a clear separation between western and feminist. Feminism should be a revolution amongst women, where each separate culture and sector of womanhood’s problems should be consider ed  individually. There are too many issues to believe that one solution will be sufficient for all problems. Women in western societies must consciously accept the idea that feminism is not a movement where western women are helping or â€Å"saving† third-world women, but instead a movement where women of all backgrounds face their own cultural obstacles where they exist. Native American feminist consciousness should be illuminated as an important goal to be reached in the indigenous communities to combat sexism instead of treating it as a â€Å"white construct,† (Ramirez, 2007). A woman being categorized as the â€Å"other† is a common reoccurrence throughout many feminist writings. The constant separation of men and women throughout history leads to the necessity of separate solutions for poverty as well. Women have been inferior in many contexts and on many levels. Chandra Mohanty gives specific order to the inferiority applied to much feminist research by challenging the ways in which women have been previously and commonly put down which includes; Women as victims of male violence, Women as universal dependents, Married women as victims of the colonial process, Women and familial systems, Women and religious ideologies, and Women and the Development Process. According to Mohanty, these six structures of inferiority have justified fe male discrimination throughout many sectors of history. Violence against women is a popular epidemic that has created huge problems within cultures and has even led to death. It is one of many ways in which men reiterate their superiority over women. Women’s reliance on men has created an â€Å"identifiable group† in which they have all can relate. This characteristic of womanhood is dangerous because no successful and powerful categorization of people should be separated because of their dependency. To move past this inferior dependency, women must work to make it an idea of the past and demand their own independent feats. Another way in which women are treated as subordinate, is in cultures where colonization has negatively influenced the process of marriage. For example, in the Bemba culture, men work for years for a family in exchange for food and eventual rights over the daughter of the family he has been working for. To trade the â€Å"rights† of a woman for household duties and chores is so beyond any traditional concept that may be practices. Not only are women often traded in cultures, but regardless of the way in which they become part of a family, they often assume the role of the â€Å"caregiver. † Women are often  sexual objects inherently used for reproduction and within a system of patriarchy. These are just some ways in which women have been continually put down and inferior to men through societal norms. The â€Å"Third World woman† is an idea that Chandra Mohanty introduces in her article; Under Western Eyes; Feminist Scholarship and Colonial Discourses; which analyzes â€Å"sexual difference† in the form of a global, singular, uniform notion of male superiority leading to the production of an equally undermining and homogeneous â€Å"Third World woman† categorization. The problems that are associated with poverty cannot be assigned and divided in terms of geographical existence. This assumption would lead to a categorization of all people from a certain area to then face the same obstacles. For example, it cannot be assumed that the men and women of Canada share the same struggles. The social constructs that are present in Canada can and should be approached from multiple viewpoints in order to appropriately capture their true depth. In Nothing’s Shocking: Black Canada, Katherine McKittrick goes into depth on the reality of living in â€Å"Black Canada.† While reading about such a specific yet complicated and complex unit of society (the distinction of African American individuals living in Canada versus Caucasian individuals living in Canada), there is a vast amount of dimension that must be considered. In her article, McKittrick refers to African American people in Canada as â€Å"surprises,† as if it is unimaginable and unexpected for them to be there. In general, African American people in Canada were treated as subordinate and geographically excluded. Furthermore, when considering more specifically the ideas associated with an African American woman in Canada, even more norms are introduced. For example, consider the story of Marie-Joseph Angelique, a Portuguese-born slave who was accused of burning down the city of Montreal. The story goes that following years of suppression in Canada, Marie-Joseph Angelique rebelled against her â€Å"mistress† and in an attempt to escape from slavery, set a fire to distract her while Angelique ran away. However, instead of simply burning down the house of her mistress, the fire unexpectedly spread throughout the city, burning down a hospital and many homes. Through torture and brute force, Angelique was pushed into confessing to the being the perpetrator of the fire, although the truthfulness in this story is tentative. Angelique’s story, truthful or not, does however bring  truthfulness to core source that was in question, which was the presence of slavery in Canada. By looking at the past struggles of one woman, Angelique, we can encounter conclusions for other aspects of history, such as slavery in Canada. Women are often oppressed in third world nations; facing everyday threats of rape, discrimination, and constant struggles for equality. Theyâ€℠¢re treated as the minority; in which they’re special interests go unacknowledged and ignored. Referred to as the margin, they are the â€Å"edge or border of a surface, the ignored or unimportant sections of a group, the blank border on each side of a page, adjacent to or in opposition to the center† (McKittrick, 2006). In this application, women will always be the â€Å"other† (Mohanty, 2008). To approach any issue that affects femininity with a global solution is a clearly ineffective and lazy tactic. Although women’s issues are indeed everyone’s issues, this does not lead to the idea that they must be tackled as a global problem. These mistreatments are not only apparent in social structures, as mentioned previously through the categorizations of Chandra Mohanty, but also physically in their cultures. There are more than 1 billion people in the world today living in poverty, a big majority of those people being women. Unimaginable working conditions and societal inequities often lead to lower standards of living in many developing countries. Rooting from many causes, poverty is usually linked to poor structural foundations within countries including laws, regulations and standards that ensure liberty and equality. Poverty is a multidimensional problem that usually grows from both national and international spheres. â€Å"Women and girls are still 70 percent of the world’s poor and the majority of the world’s refugees. Girls and women compromise almost 80 percent of displaced persons of the Third World/South Africa, Asia and Latin America. Women own less than one-hundredth of the world’s property, while they are the hardest hit by the effects of war, domestic violence, and religious persecution† (Mohanty, 2008). The inequality that is so evidently clear through statistics and informative findings points strongly to the inferiority of women. Owning one hundredth of the world’s property, it is apparent that women are not receiving the same opportunities as men. Agriculture as a form of production has gone from 97% to 3% in the past century. However, land use in the form of agriculture and profit are very important in areas of the world that are not yet  develo ped. Women may work on these fields, but receiving the benefits from them often go to the men that own them. Mohanty reflects the views of western feminists on the third world woman as consistently being a â€Å"homogeneous powerless group often located as implicit victims of particular economic systems. Third world women are always the â€Å"victims† who need â€Å"western saving,† Women living in poverty are already restricted by this stereotype of helplessness. In Mohanty’s article Under Western Eyes; Feminist Scholarshop and Colonial Discorses, she closely examines the lives of women in â€Å"developing† countries. Mohanty introduces scholars such as Irene Tinker, Michelle Bo Bramsen, Ester Boserup, and Perdita Huston who all write about the effects of developmental policies on women in the Third World, assuming that â€Å"development is synonymous with economic development or economic progress.† Economic development involves the concern and actions of policy makers and communities in order to improve the standard of living and economic prosperity of a population. Usually involving higher wages, literacy and health, economic development in many cases does not focus in on the sexism that is usually evident in these developing nations. When Mohanty goes on to present the case of â€Å"Mince’s patriarchal family, Hosken’s male sexual control, and Cutrufelli’s Western colonization,† development seems to become the all-time equalizer. Women can either be affected positively or negatively by economic development policy which becomes the basis for cross-cultural comparison. Economic development often focus on the growth of men in these political and economic sectors which leads to even more inequality in these developing countries. If economic growth were to focus more on raising equality in these countries, then women would likewise benefit as well. However, this is seldom done naturally and must be given a particular amount of importance and attention. â€Å"Practices that characterize women’s status and roles vary according to class.† The state of women in these developing countries cannot be approached in a singular way and absolutely must be separated from the developmental issues of men. The â€Å"feminization of poverty† is an idea introduced by Mohanty that shows a positive correlation between the level of poverty between women of color and white working-class women in the United States. Men and women have always been segregated; society’s value of their labor being one of the most evident forms of discrimination, current in even our society today. The  existence of a sexual division of labor is often taken as â€Å"proof of the oppression† in various societies (Mohanty, 1988). Women who encounter similar situations cannot be treated as identical. For example, the rise of female-headed households has held various different meanings in cultures, specifically middle-class American and Latin American. In middle-class America, the rise of female-headed households often represents feminine progression, a symbol for greater independence and a woman’s â€Å"choice† to be a single parent (Mohanty, 1988). However on the other side, the same increase in female-headed households lending women more say in decision-making is concentrated in poorer areas, where there choices are constrained economically regardless. Discrimination between genders norms in the workforce leads to their division of labor. The sexual division of expectations in labor indicates a depreciation of women’s work and must be considered separately through each society and cultures own local contexts. When nations experience a big gap between genders, other nations are often led to the belief that they need â€Å"saving.† This assumption often leads to individuals from developing nations claiming themselves as self-righteous, then intruding on other â€Å"less† fortunate nations and validating it as a form of â€Å"saving.† When these nations intervene on others, they often lack an understanding of societal differences. Accepting and acknowledging differences, is the key to progressing. However, it is important to specify that acceptance does not necessarily lead to everyone being â€Å"cultural relativists,†(Abu-Lughod, 2002), but to take this idea and apply it in moderation. Intricacy and meticulousness is necessary in a world as interconnected as ours when recognizing and respecting differences. There should be no dividing line between nations, religions, or cultures in our world. The existence of western and third-world differences should not be the greatest factor that leads to separating people, and it is also important to acknowledge the fact that these are not just two bin aries that all people must fit into. A separation of differences should only be approached when studying the visions of â€Å"justice and the value of life,† (Bhattacharyya, 2008). These differences are usually in response to different histories and different circumstances that lead to the different social cultural norms in communities. While progressing towards justice for all women, we must first accept that that is not a universal idea but  instead may vary from woman to woman. There is a range of optimal envisions that different women might want or choose. Third world feminists are often criticized as â€Å"social critics† (Bhattacharyya, 2008). Entrenched in their own culture, third world feminists do not only identify themselves strongly with their culture, but also make a clear separation between their idea of feminism versus feminism for other activists and cultures. Third world resentment toward feminism in the context of western thinkers makes it very difficult to progress. The prime solution to approaching feminism would be to develop a mutually respectful appreciation of differences between different the different apparent ideas. However, our world is so diverse and complex that it is very difficult to find a solution that fits within all of the parameters that would satisfy all concerns. Women of all cultures should be aware of the need for global feminist movements while remaining within the strictures set by their own culture (Bhattacharyya, 2008). Resentment and difference leads to a complication of using a transnational language when approaching feminism, because it will always lack proper consideration of certain local struggles. One popular way to approach feminism is through an Indigenous methodical lens. As mentioned previously, Native American women have faced notable higher levels of mistreatment, inequality and discrimination throughout all of their recorded history. Even in current Native American communities, notions of sexism are still popularly practiced. There are many writings on feminism by Native women however these pieces often are claimed to be in conflict with the specific politics of sovereignty and self-determination that many Native Americans practice. Native writings often present critiques of feminism, relating it heavily to white and middle-class concepts. Other than those who are â€Å"assimilated,† Native American activists do not consider themselves feminist (Smith, 2008). Feminism is categorized as an â€Å"imperial project† that assumes a western colonial command over indigenous nations. This categorization results in a see-saw effect between supporting sovereignty an d rejecting feminism. When supporting sovereignty, Native activists find they must reject feminist politics. On the other side, scholars and activists who attempt to theorize feminism for native women activists often oversimplify the apparent issues with feminism, sexism  in societies (both native communities and other non-native communities), and the importance of teaming up all together to solve these problems. Due to the previously mentioned opposing concepts, it is extremely difficult to articulate a movement that instantaneously decreases sexism while promoting indigenous sovereignty. The progression of women’s rights has increasingly become a central goal of developmental movements, economically and socially. With a rise in feminist perspective and consideration, places that do not follow these changes in approach are often criticized. Women’s participation in societal life has become a measure of societal development. The problem of binaries in our societies is an extremely important factor in understanding political movements, discrimination and extreme activism. For example, in many Islamic cultures, there have been uneven attempts in examining developments. Solutions often represent those of which come from radical or inconsiderate theorists. Recently, however, these visions have been amended and changed to more thoroughly examine the contemporary Islamic problems regarding the superiority of masculinity (Bhattacharyya, 2008). The sexist issues apparent in many third-world nations are often criticized by western activists, although these accusations are very hypocritical. Many feminist writings and studies are the products of western writers. Since the majority of feminist writings are from the western perspective, feminism has had a likewise western connotation. Western thinkers are commonly obsessed with the concept of â€Å"sex,† (Bhattacharyya, 2008). The presence of â€Å"sexual conflict† within nations often leads to a western defense of sexuality. Sexuality is enacted as a symbol of western ideas that must be defended, as every woman should have the right to her own practiced sexuality. Western thinkers popularly be lieve that â€Å"their† problems regarding sexism are not nearly as horrible as other nation’s problems, so they believe it is their own responsibility to help or â€Å"save† others. However, western solutions are not global solutions and cannot be transcribed onto other cultures. Western separation and self-proclaimed superiority leads to a separation of â€Å"us† versus â€Å"them.† In terms of sexuality, western thinkers are often portrayed as more provocative. Westerners often accuse â€Å"others† of hating their freedoms- of which â€Å"to love and touch and leave and experiment† with their freedom to â€Å"move and love freely,† (Bhattacharyya, 2008). These self-proclamations are inaccurate  being that women in the western world still face many issues routing from their sex. This false representation of equal opportunity combined with democracy as a purification of western concepts is tried at being defended at all costs. Westerners often claim their ideas as completely fair and righteous, in comparison with other â€Å"less fortunate† countries. Although western ideas are the most common in feminist writings, they cannot be the only ones involved in discussions about foreign policy because that would lead to a misrepresentation of feminism (Bhattacharyya, 2008). Poverty is a global problem that affects individuals from all geographies and cultures. Representing different ideas to different people, poverty does not have a multiculturalist definition. As a factor to measuring poverty, feminine equality varies from culture to culture. Western feminist ideas are popular within feminist studies because they are the source of many current and historical feminist writings. However when approaching global problems such as poverty, multiple culture’s views must be considered when trying to find efficient solutions. By evaluating the views of women from numerous backgrounds, we can further develop resolutions that will bring a greater amount of happiness to a greater amount of people. Bibliography Under Western Eyes: Feminist Scholarship and Colonial Discourses Chandra Talpade Mohanty. Feminist Review , No. 30 (Autumn, 1988), pp.61-88 †Under Western Eyes† Revisited: Feminist Solidarity through Anticapitalist Struggles Chandra Talpade Mohanty Signs , Vol. 28, No. 2 (Winter 2003), pp. 499-535 McKittrick, Katherine. â€Å"Introduction, The Last They Thought of: Black Women’s Geographies, Nothing;s Shocking: Black Canada† . Ramriz, Renya K. Race, Tribal Nation, and Gender: A Native Feminist Approach to Belonging. Meridians: feminism, race, transnationalism, Vol. 7. No. 2. 2007. Pp. 22-40. Abu-Lughod. †Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others.† American Anthropologistv. 104 no. 3 (2002): 783-790. Smith, Andrea, and J. Khaulani Kauanui. â€Å"Native Feminisms Engage American Studies.† American Quarterly, 2008: 241-249. Bhattacharyya, Gargi. â€Å"Introduction Chapter 1.† Dangerous Brown Men: Exploiting Sex, Violence and Feminism in the War on Terror. London: Zed, 2008. N. pp 1-45.

Equine Assisted Psychotherapy (EAP) for Addiction | Proposal

Equine Assisted Psychotherapy (EAP) for Addiction | Proposal Equine Assisted Psychotherapy (EAP): Can EAP help in the treatment of addiction? If one looks at the statistics for addiction, it is staggering. The annual cost to the NHS for alcohol abuse alone is  £3 billion, with an estimated population of recreational or addicted users of illicit drugs at 50 million (â€Å"Breaking the cycle,† 2006). The annual cost to Wales and England from drug abuse is greater than  £18.8 billion (â€Å"Breaking the cycle,† 2006). Goodman (1990) defines addiction to include the addict’s inability or failure to control their own behaviour and the continuation of said behaviour despite the presence of negative behavioural consequences. Addictions address many forms of deviant behaviour ranging from recreational or pharmaceutical drug use to gambling to sex to overeating. While the mechanism of addiction may vary, the profile of the addict is similar. Therefore, treatments to effectively treat addictions are critical. Although cognitive behavioural therapy (CBT) and/or the use of pharmaceutical agents are often prescribed to treat the addict, both of these methods are costly, can prove invasive and are time consuming than EAP, one of the newer alternative treatments for addicts (â€Å"Horse power, 2005). The origins of EAP began over 200 years ago when German physicians employed horseback riding for the treatment of hysteria related mental illness (Riede, 1988 as cited by Frewin Gardiner, 2005). While the employment of horseback riding has been shown to help the physical, psychomotor and psychological realms of the patient, EAP does not include horseback riding. Instead it incorporates exercises using the horse as a barometer. Researchers (Christensen, 2006; Schultz, Remick-Barlow Robbins, 2007; Frewin and Gardiner, 2005; Vidrine, Owen-Smith Faulkner, 2002) tell us that horses provide an immediate sense of feedback through their actions to the addict, often called mirroring that allows the addict to immediately realize what it is in their own behaviour that cause the reaction it did in the horse. â€Å"The client is encouraged to use interpretation and insight so that they can start developing new ways of being around the horse,† with themselves and in society. This allows the therapist to both see the horse as a therapeutic aid, but also a more important diagnostic tool (Thompson, 2005). Research (Thompson, 2005; â€Å"Equine assisted activities, 2006) tells us that when the patient learns how to connect with and automatically control the horse, they have the opportunity to learn how to control and better understand themselves. Mann and Williams (2002 as cited by Frewin Gardiner, 2005) cite an 82 percent improvement rate in conduct, mood and psychotic manifestations in patients who have tried conventional therapies for many years. The EAP basis for treatment of addictions believes that if you act on an addiction, you are most likely not connected to your own sense of emotions and self. Connecting with the horse requires that you do (Lavender, 2005 as cited by Thompson, 2005). EAP has been successfully used in the treatment of addiction by many famous dramatic personalities, such as Sophie Anderton, Be Affleck, Christian Slater and Robert Downey Jr. (Thompson, 2005) helping to increase their sense of â€Å"self-esteem, personal confidence, interpersonal effectiveness, trust, boundaries and limit setting† all of which are lacking in the addict, creating the weakness and dependency on detrimental substances or behaviour. Many addicted individuals do not seek treatment; however, for those that do, often the wait is 18 months or longer due to the limited funding for mental health treatment in the UK (â€Å"Addition Today,† 2007) whereas EAP is available at The Priory, a north London clinic. As alternatives to standard NHS sponsored CBT and pharmaceutical treatment are sorely needed, this dissertation proposes research into the effectivity of EAP in the treatment of addiction. Aims This dissertation asks the following research questions: Is it possible to prove the therapeutic efficacy of EAP? Is EAP an effective and quicker therapeutic substitute for the treatment of addictions than cognitive behaviour therapy (CBT)? Is EAP helpful in the treatment of addictions? Based on answering these research questions this dissertation seeks to prove the following two hypotheses: Those suffering from addictions find EAP is a powerful and effective therapeutic technique for the treatment of their addictions. Those providing treatment find EAP an ethical approach to the treatment of addictions. Method Research for this dissertation will consist of a formal literature review and a dual-leg qualitative study. The literature review will be conducted using a series of academic searches for information through library systems, online academic systems and other subscription based professional research databases, such as Questia or Highbeam. Similarly, professional psychological and medical sites and associations will be reviewed for current literature as well as those professional sites developed for specialized research into alcohol addiction and related topics. Governmental, national and world health associations will also be reviewed for current literature as well as research and development efforts and governmental initiatives. All articles chosen must be written in English, be published in the last 15 years, be published in professional journals and be authored by credible and qualified professionals in their respective fields. Following the literature review, this researcher will conduct a dual leg qualitative study composed of both interpersonal interviews and a survey instrument. Addicts who have participated in both standard treatment and EAP will be utilized for interviews and will be recruited through notices posted at EAP treatment centres, 12 step recovery meeting. After signing appropriate waivers for both taping the interviews and potentially using quotations as appropriate from interviews, interviewees will be asked a series of questions designed to elicit open-ended responses. All care will be taken to prevent researcher bias by asking each participant the same questions in the same manner and order. Survey participants will be comprised of therapists specialising in addiction and will be recruited through direct mailings to therapists and therapy centres specialising in addiction with questions on the instrument focusing on treatment for addiction, efficacy of CBT, efficacy of pharmaceutical ag ents, efficacy of EAP and the ethical considerations of each treatment modality. Although a phenomenological approach has limitations due to potential researcher bias in theme identification and in participants self-reporting what they believe the research wants to hear, Gorgio (2002, p. 136) believes effective researchers can identify and obtain â€Å"a clarification of the conditions from human subjects the descriptive phenomenological method implements this strategy. Indeed, it is an extension of the very spirit of science.† Ashworth (2003, p. 145) tells us that phenomenological psychology in the UK focuses on the interrogation of real world experiences, such that both participant and researcher can focusing on the problems or situation and apply meaning based on context and content. Analysis Consistent with a phenomenological approach, the analysis will be performed through the use of theme identification when reviewing group interview transcripts from which to prove or disprove the dissertation hypothesis. Questionnaires will be statistically analysed using frequency distributions based on the Likert-scale responses. Workplan *May vary slightly due to holiday schedules References The Addiction Recovery Foundation. (2007). Addiction Today. Retrieved 14 August 2007, from The Addiction Recovery Foundation website: http://www.addictiontoday.org Ashworth, P. (2003). An approach to phenomenological psychology: The contingencies of lifeworld. Journal of Phenomenological Psychology, 34(2), 145 – 156. Breaking the Cycle of Addiction. (2006). The Living Room. Retrieved 14 August 2007, from The Living Room website: http://thelivingroom.me.uk/stats.htm Christensen, M. (2006, 25 April). The healing power of horses: Equine therapy helps emotionally distressed. Times-News (Twin Falls, Idaho). Retrieved 14 August 2007, from the Highbeam professional database website: http Equine assisted activities. (2006). Palaestra, 22(3), 48. Frewin, K. Gardiner, B. (2005). New age or old sage? A review of equine assisted psychotherapy. Australian Journal of Counselling and Psychology, 6, 13 – 17. Goodman, A. (1990). Addiction: Definition and implications. British Journal of Addiction, 85(11), 1403 – 1408. Gorgio, A. (2002). The question of validity in qualitative research. Journal of Phenomenological Psychology, 33(4), 135-147. Horse power; Olivia Stewart-Liberty was at the end of her tether until she tried a new therapy thats already a hit in Hollywood. Meet the four-legged therapist who got her back in the saddle. (2005, 18 November). The Evening Standard (London, England). Retrieved 14 August 2007, from the Highbeam professional database website: http://www.highbeam.com/doc/1P2-2581505.html Schultz, P. N., Remick-Barlow, G. A. Robbins, L. (2007). Equine assisted psychotherapy: A mental health promotion/intervention modality for children who have experienced intra-family violence. Health and Social Care in the Community 15(3), 265 – 271. Thompson, J. (2005, 23 October). The Priory enlists horses to treat the anxious, the angry and the † The Independent on Sunday. Retrieved 14 August 2007, from The Findarticles database website: http://findarticles.com/p/articles/mi_qn4159/is_20051023/ai_n15720133 Vidrine, M. I., Owen-Smith, P. Faulkner, P. (2002). Equine-facilitated group psychotherapy: Applications for therapeutic vaulting. Issues in Mental Health Nursing, 23(6), 587 – 603.